Monday, August 13, 2012

Jr. Mondays

Thank you to everyone for making July such a creative month!!!
Some examples of our work are found in earlier entries and I'll post a few more pictures to share our work here shortly.

Week 1:
We are getting to know eachother, exploring drawing, painting  and basics of  printmaking . We will talk about mobiles, Alexander Calder and Graffiti Art.
(This was fun - we added plasticine to our materials by request and made relief pictures and 3-d creatures as well.)
Week 2:
We are making marionettes with papier mache and/or clay, drawing & painting, and assemblage - creating our own puppet show in the afternoon. We will be looking at examples of Giant Puppets from Royal De Luxe in France. 
(This was a fun day. We sculpted and then constructed, played, then repaired(!), then painted, then constructed, then played, and then painted some more – we like to paint.  We will assemble our last bits next week when they are dry.)
Week 3:
We will think about music, air and wind, creating art and some artful instruments that we can look at and try to play.  We will look at Cubist Art works by Georges Braque and Picasso. In the afternoon we are creating kites to fly, using simple collage and other paper arts techniques, and see examples of Children’s Day creations from Japan.

(We had another fun and exciting day of artmaking.  In the morning we enjoyed painting to jazz music as we played musical canvasses.  Some amazing work was created and then disappeared as it was replaced by more work by others. Brushes, dabbing, dotting, swirling, picture making and wiping away were explored. We could  stop when we needed to and when someone decided to do that, all of our final spots for painting were decided. We had fun with constructing our musical collages too, and making our drums, drumsticks and blowers and discovering creative ways to play our instruments. Our afternoon was busy with active games, and our paper crafting as we designed, cut, painted, taped, glued, stapled, decorated and assembled our windsocks. Great work.)
Week 4:
We are creating work from found recycling objects. We will collage and assemble recycled materials to make relief/mosaic patterns in natural or animal form. We are learning how to use the glue gun and plan and layout a design in colour from found materials. We will be looking at the art of Michelle Stitzlein. ***

(We worked with clay(Thank you Ms.N!), shell tiles and stones this morning creating some patterns, faces, waterfalls and small inukshuks as we explored clay and mosaic techniques.  We played 'What time is it Mrs. Wolf', 'Octopus' and 'Night Guard', then went inside to create designs and embellish our masks and/or heavy paper with our drawings, coloured paper bits, jewels and beads. They are lovely. In the afternoon we painted our faces. We then learned about the flat and round sides of things, and which glues(hot, white or stick!) work best for which materials, as we had fun making our recycled relief collages.

*****(We are collecting milk carton lids, frozen concentrate lids, plastic juice and gatorade lids, jam jar and pickle jar lids - and anything circular that is safe to handle and found in the recycle bin.)


Sylvie

Thursday, July 19, 2012

Animations from Wednesdays in July

The Stink


The Feasting


Squishy Fishy


Some of our Inspiration:: : Stop motion animation. Claymation, Faces - By Guldies

Wednesday, July 18, 2012

Marionettes from ArtClub Mondays Week 2

We worked on our Marionettes last Monday with some fun results:

 This is our messy and productive work station.

And here are some clay heads we designed and worked on over our styrofoam armatures. Making sure to create holes for later construction and to help support our work whenever it needed to dry.
We had some problems when we made our self-hardening clay too thin(which I had suggested to do to try to keep things light!).  We learned thicker is better, and heavy is just fine, for puppet heads ...and that the cracking was a neat effect and glue was a great fix.  We used acrylic paint to paint our clay.

Duck is drying.
 
Mr. E. is being assembled with extra paper tubes for sleeves and trousers.
Our friends were assembled. More details on this to follow. 

Our wings flap and we walk along with animation. We decided to only do arms for these three to keep it simple for little people to operate.

Tuesday, July 17, 2012

Royal de Luxe Giant Marionette Mastery

The Royal de Luxe giant marionette theatre company performs all over the world!

Monday, July 16, 2012

Tuesday Drawing: Hyper-realism versus Happy Accidents

We learned more about how to work with our cameras in practical ways, setting up and shooting a still-life with a tripod, downloading our images, sorting through the ones we like, re-framing(cropping)if we wanted to, and then printing. 
http://steelwhitetable.org/2005/03/08/rodin-and-mary-pratt
We looked at images of Mary Pratt's work, and examples of hyper real painting, and talked about how and where photography would be useful and necessary to create these images. Light changes over time so reflections and then colour changes too. And in the case of our lazy-Susan still life, point of view changes too.

We also talked about how we were not going for hyper real images in our drawing and painting today. We created interesting compositions while considering our photograph. This meant that we worked our drawing,from the photo as our reference, while looking at our still life materials for a lot of the information for both our drawing and our painting.



While drawing, we decided to work with watercolour paint and paper, and we explored some techniques using our paper as the lightest colour. We found challenges in our work, discovered what a 'happy accident' might really mean, and made some great decisions using our paints.




Thursday, July 5, 2012

Summer 2012 Week 1


We've had a good start to summer artmaking.  On Tuesday we  looked at drawing without looking at our drawings, learned about our cameras by using them, and started drawing from life and our own original photographs.

On Wednesday we developed fun concepts - like Omnivore,Radish Fish and Skunk Blast, created really great characters and objects in plastecine, started our storyboards and painted our backdrops for our claymation cartoons.

It's great having more time than an afterschool session to work on something in ArtClub - We have time to develop our ideas and explore our processes, and to actually get things done.

Next Tuesday and Wednesday I'll share some examples of work by other artists for reference now that our work has started. And... this is a link to the slightly scary claymation animation we looked at  -which prompted a great discussion on the different qualities of feelings that music can evoke. There are a lot of great links and info to be found at Princeton Online's Incredible Art Department


More pictures to follow. Will try to share our claymation process for future reference.

Tuesday, May 22, 2012

Late Spring Hacking and General Awesomeness

This is just super awesome in so many ways...
for all 'Makers':




and especially for Robotics Explorers: 



I heard about Sylvia from 'BudtheTeacher' at The Denver Art Museum Blog.  He too is an awesome inspiring resource and has a great argument for the importance of 'the Hack' here. He is discussing a talk by Rafi Santo given at the Digital Media and Learning Conference this past March in San Francisco.  He cites the following points from the talk:
1.  Position kids as designers and makers of technology.
2. Talk with kids about the relationship between technology and values.
3. Integrate hacker literacies into digital literacies.
4.  Embrace the subversive nature of hacking everywhere – hacking isn’t just about technology.
I always read through everything(it is my conceit):  replacing "technology" with "meaning" and "digital" with "cultural" is point #4 again.

 FYI The Robotshop has Arduino supplies.

Wednesday, May 9, 2012

ArtClub Week 4

We discovered that tissue paper has a nicer effect for our papier mache, than newspaper, but that it also has some tricks to doing it well..use less paste, use our brushes more carefully and as brushes not glue daubers, and that layering is as important as making sure we have glue both under and above each piece to build a strong surface.  I was really happy for you not giving up even when some of you were getting frustrated- way to push through. It is a very meditative thing that you just kind of have to submit to if you want it to work out...which it can quite readily if you pay attention.
I LOVE our circle patterns--super quick and loose.  I have some EPIC favourites but I most like how they all look together. We can talk about grouping them in different ways as we hang them next week, and make a few more too...


and I think we should ALL make our own EPIC Smileys next time!
These aren't mine -  but the link isn't quite appropriate...so tricky... shown here are examples of work shown online.

Monday, April 30, 2012

ArtClub jr. Week 3

Great job! 

The group painting this week is very dynamic--the smaller canvas, and the light background seemed to help you to enjoy the brightness of our paints, blending colours with curiosity and enjoying some surprising results! You were very mindful of eachother's marks, with little prompting, which was just great to see...and it was exciting to see how you worked into what you found when it was your turn to paint. I think we do this each week but this painting seems so dynamic and unified too:  your efforts created a visual 'conversation' amongst all the parts of the painting... as if you were talking to each other, about something very colouruful, through the paint.

I love how you all figured out a unique approach to the clay challenge even when very inspired by eachother.
 Great details and added materials. That is mixed media: tree branches and clay and feathers and soon paint. These will be fun to paint this coming week. 


Heather and I really learned a lot from your presentations. You all found a "something that lives in something, and the something that it lives in", were very respectful of each others turn to speak, and shared your work with enthusiasm. That was fun. You may want to use your sketches next week.

We will look at the things in Spring that we find above the ground next studio!
Thank you.
Sylvie


ArtClub Week 3


This week we had a busy studio with much storytelling, and some quiet focus, as we developed our armatures for our papier-mâché sculptures ...and started building up our first layers too. We will need to add more layers next week, before we can decide what we really have to then paint, embellish and add external details ...although some of you are very clear about what you are making, we can still add features and other elements using our paper, wire, foil, tape, spheres and glue, to further define our creature characteristics.

Some of you were asking about our "big" project. And I said we are already doing it. We will work on circles and those logarithmic spirals going forward, both in drawing and painting...and words if you choose. And we will test out some ideas by making practice compositions - sketch some designs - to work into our canvas bases...as we continue with our 3-D creatures.


Thank you for a busy working studio with lots of great ideas!
(Pictures to follow.)

Sylvie


Sunday, April 22, 2012

ArtClub week 2

Jorge Mayet
De Mis Vivos y Mis Muertos   2008
Electrical wire, paper, acrylics, fabric
143 x 84 x 84 cm

Thanks for another challenging studio.


Our exercise this week was arduous for some of us.  Don't Panic! Drawing 'what you see' can seem like a difficult challenge before you start...too much thinking about potential judgements of truth and reality - in relation to skill, and maybe also, at your age, starting to realize your own vision is connected to how others see reality too? This can seem daunting... but we're really just trying to connect our eyes to our hands through an exercise...an activation of 'being in the moment' so to speak. If that helps.  We're not expecting anything but effort from each other. That's why we call these exercises--or warm ups, if you prefer. Since we are a very non-judgmental group of collaborators in ArtClub anyway, it's only natural to expect that we each boldly risk trying new practices in our safe and friendly society. And truly, with only always awesome and inspiring results.

That's my speech. I learned a lot about each of you this week, and myself. Going forward we will go around the 'starts' of things a little bit to help us get right into the 'doing'.  I'm very excited and curious to see exactly how we're going to do that together!

You did some lovely work last week. I have less time than I thought to post pictures but these are very important because I want you to see how well you each drew, in so many different ways, to notice what you do well, and to learn through the experience of doing and reflecting. I think that's what we really call practicing. 
You each have unique approaches to your artmaking. As you learn to work through new and challenging experiences your ability to realize the skills you need, to build your vision, will grow.

We are continuing with our cycles this next studio. We will build these out through some papier-mâché constructions(as requested!). If you come prepared to construct something, then we can start to construct something, literally.

Also, think about ways your cycles end at their beginnings, but in a transformed state...and how you can show this. Draw or write some differences between the beginning and the end of your cycles - what are the different characteristics?How are they different? How do these differences indicate a transition? Asking yourself these questions might help you to visualize, or imagine, the different stages in your cycle and to inform and enrich details to add to your work next week, and going forward. 

I have some new paints to share, and some canvasses that we can also work on in a cyclical fashion for the rest of this session. 

Thanks for your excellent efforts this past week...and some very challenging insights during our explorations of roots and shoots...

Sylvie

And thank you Heather for our uprooted Tulip!

Spring Artclub Jr. Week 2

  Our Spring Forest is growing!

You worked so intensely on your snails, butterflies or worms and your traced roots and made very inventive connections between our creatures, their pathways, and how to join these pieces for exhibition.
We're  building a great inspiration board that we are sharing with the Big Kids ArtClub, and we definitely took advantage of these ideas. I'm inspired too watching you all work so well!
 Next week we will add something new to our forest trees. You can also make changes to this week's work, if you discover that you want to.
Thanks for your amazing energy and efforts towards these lovely results.
Sylvie

Thursday, April 12, 2012

First Spring ArtClub Jr.

What an exciting and energetic first meeting. I can't believe how great our trees look! We had a little bit of time to talk about and look at our trees while we were working on them and then, as we hung them up - it is very inspiring to hear and see all of your ideas. Here is the start of our Spring Forest:
You all took up the challenge today by working well on drawing and painting, and cutting too. 


 We explored textures, patterns, colours and feelings and also added ninjas, racoons and cranes, bugs and tree forts, leaves and flowers. We'll take up these ideas next week. Your 'trees' are very unique. We'll leave them up to inspire us to create more work as if in a Spring Forest!

(M. still has her tree to do and add it to our forest...with her many drawings and sketches : ) [Finished and included above!]

Remember if you do take your sketchbook home, to work in it a little and don't forget to bring it next week - you will need it again!

Our group painting today looks very dense and really foresty to me: for some reason you all favoured blues and greens and that nicely mixed "perfect potato brown"...[we added to this! See week 2!]

Thanks for a very exciting and productive first day!

Sylvie

Monday, April 9, 2012

Painting with Water - remaining to be seen

For our first studio, we worked on a large group drawing as we talked about different ideas of Spring, the concept of 'cycles' and the concept of 'local'. We all did a first drawing of a robin. We also tried to paint with the giant water brushes but our paper got very wet, very quickly. We'll wait for a warmer day, with some sun, to try this again outside on the asphalt.

If something is ephemeral, it changes over time, it transforms. Ephemeral things are 'transitory', changing states, seeming to disappear. Ice is ephemeral on a hot summer day, and a water painting on warm asphalt is ephemeral as it changes from a 'picture' to a 'memory' of a picture, or the memory of the activity of water painting. Much about Spring is ephemeral.

The word cartoon can mean a few different things to artists too. Traditionally, if you wanted to create a painting, you would draw or paint a 'cartoon' as a base layer to work out/plan tones, colours, or formal areas. This is a useful method for deliberately structuring a representation. I use a cartoon to paint portraits. It helps me decide what I want to do, where it needs to be done, and helps me to keep track of some of my original intention as I build up layers of colour and tone into a resemblance.

But... I also 'cartoon' as a way to sketch out a quick visual idea in a graphical way. Sometimes these cartoons, usually a contour type sketch, or very stylized graphic, is the final work.

You can find cartoons in artists drawings as much as in comic books, graphic novels and animations. In fact, old school cel animation uses 'cartoons' to make...cartoons! We also cartoon when we use our ipad or mspaint to draw things with graphical lines and colours. 


In what ways are cartoons ephemeral? (Ephemera is the noun.)

You all show a lot of interest in drawing things graphically, in a sort of diagrammatic explanation of what something is, or what actions are happening - and with the expectation that more conversation needs to happen to explain the drawing. This is an interesting possibility for our drawings.

This session, we can explore our own approaches to drawing through more drawing(and painting). As we draw and paint each week, we can look for our own connections between how each of us sees something, and what we are each saying about this something through our drawings and paintings.

Remember that n
ext studio we are looking at your 3 or 4 part 'Cycles'. We'll use these to help create our book works. Because we don't yet know how our work will look, we are going to create a mini book (our mock up ...which is also a cartoon of sorts). We will use this to play with our ideas, to help us visualize what we want to do for our finished books, and to help us keep track of some of our intentions~while new ones are forming!
Just a quick link to a water writing machine by Canadian artist/designer Nicholas Hanna.

A review of
'metaphor', for reference.

Something about artist David Ireland, fyi.

....and thank you for a challenging, and inspiring, first meeting!

Sylvie